Part Crowd

I’m currently kitten-sitting in Golders Green, on and off for the next couple of weeks while the owners are abroad. Here’s a photo of the feline in question. Breed: Birman. Name: Piccadilly. Born in March.

In the hope of teaching him autonomous amusement, I’ve set him up with a couple of cardboard boxes from the local supermarket. But his favourite toy seems to be me. He has yet to learn that my trousers are not built for his teeth & claws. The owners have given me a water spray with which to teach him such boundaries, but it seems to have little effect. Either he’s one of those cats who like water, or he’s a bit of a masochist when it comes to suit-trouser love. ‘Yea, though the water jets may come, I will battle on to embrace my true beloved, The Trousers.’

I’ve been meaning to upload photos of myself from a session by Kim Cunningham. Here’s one. Taken May 2011 in Pond Square, Highgate:


Photographer credit: Kim Cunningham. www.kimcunningham.co.uk

This week: to the Everyman Baker Street cinema to see Bridesmaids. Produced by Judd Apatow, written by its star Kristen Wiig, and touted in the press as a rare mainstream comedy ‘chick flick’ that appeals to both genders. Which essentially means there’s a lot of broad slapstick and bad taste humour. Like Mr Apatow’s Knocked Up, however, it suffers from an unwieldy duration and insistence on pushing the jokes aside to end with some very traditional Hollywood moralising. I really wanted the touch of unpredictable anarchy of, say, Muriel’s Wedding or Romy & Michele’s High School Reunion. Still, the jokes are good enough, particularly the scenes of one-upmanship by Ms Wiig and her more glamourous, richer rival.

A matinee screening, with about ten people in the audience. Normally this would be quite a nice way to see a film – on the big screen in a proper cinema, with as few other people as possible to risk distractions. In fact, Bridesmaids is one of those films that does need a packed room of people. Otherwise one risks what happened with me – laughing aloud by myself in a room of strangers. For comedy films, one needs to laugh along with others.

For this reason, I rarely go to live comedy shows by myself. Stage & cinema comedy is unfinished without a crowd of friends and partners.


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Late alerts

I know I really shouldn’t leave these alerts so late, but here we go anyway.

I’m giving another mini-lecture at the Camden School Of Enlightenment tomorrow. It’s about modern cliches – which is in itself a cliched thing to talk about. There’s plenty of stocking-filler type books out there on the subject, and ranting articles in the press by self-appointed arbiters of good writing. Some cliches are used to engender superiority (A corporate crook: “I was disappointed in the police for catching me… I felt their action was inappropriate”). But identifying cliches also risks a certain vanity on my part (Reader’s voice: “Why stop now?”).

So I’ll try to focus on my own taste and (one hopes) provide fresher musings on why a gentle usage of cliches can in fact be a good thing.

Details:

Date: Tuesday July 12th 2011
Time: Doors 7.30pm. Acts start 8pm. I’m on at about 9.40pm – 10pm.
Where:  Upstairs at The Camden Head, 100 Camden High Street, London NW1 0LU.
Cost: Free.
More info at: http://www.csofe.co.uk/

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The issue of the New Escapologist with my article on Bohemian Bedsit living is still available. It’s issue #5 and also contains Alain de Botton, Reggie C. King, Neil Scott and many others. It’s more like a literary periodical than a magazine: no ads, proper spine.

You can get it from the online store at: http://newescapologist.co.uk


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